Les Enfants Terribles

Jean Cocteau Rosamond Lehmann

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Les Enfants Terribles

Les Enfants Terribles Les Enfants Terribles holds an undisputed place among the classics of modern fiction Written in a French style that long defied successful translation Cocteau was always a poet no matter what he was w

  • Title: Les Enfants Terribles
  • Author: Jean Cocteau Rosamond Lehmann
  • ISBN: 9780140180282
  • Page: 447
  • Format: Paperback
  • Les Enfants Terribles holds an undisputed place among the classics of modern fiction Written in a French style that long defied successful translation Cocteau was always a poet no matter what he was writing the book came into its own for English language readers in 1955 when the present version was completed by Rosamond Lehmann It is a masterpiece of the art of transLes Enfants Terribles holds an undisputed place among the classics of modern fiction Written in a French style that long defied successful translation Cocteau was always a poet no matter what he was writing the book came into its own for English language readers in 1955 when the present version was completed by Rosamond Lehmann It is a masterpiece of the art of translation of which the Times Literary Supplement said It has the rare merit of reading as though it were an English original Miss Lehmann was able to capture the essence of Cocteau s strange, necromantic imagination and to bring fully to life in English his story of a brother and sister, orphaned in adolescence, who build themselves a private world out of one shared room and their own unbridled fantasies What started in games and laughter became for Paul and Elisabeth a drug too magical to resist The crime which finally destroyed them has the inevitability of Greek tragedy Illustrated with twenty of Cocteau s own drawings.

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      Posted by:Jean Cocteau Rosamond Lehmann
      Published :2019-02-26T23:29:20+00:00

    One thought on “Les Enfants Terribles

    1. Warwick on said:

      When me and my sister were younger – like four and five, or five and six – we used to play these epic games in the back seat of our parents' car on long journeys. The car was a big old Citroën estate, like the vehicle from Ghostbusters, and the back seat folded down to form a huge play area (this was before anyone bothered about seat-belts in the back).The games we played were incomprehensible to everyone but ourselves, and now we're older they've grown incomprehensible to us too. All I can [...]

    2. Mariel on said:

      I can see myself becoming part of the room. The two sets of grandparents in their big bed they never leave from Charlie and the Chocolate Factory appealed to me. I would have sat by their one-bed-fits-all and listened to them bicker. Words of wisdom, or in another conversation entirely, as was the case with one of the grandmothers. I don't need the chocolate (I didn't say I didn't want it!) but I need those grandparents and their world within a world (the poorest shack in the coldest town where [...]

    3. Scribble Orca on said:

      Midsummer Night's Dream machinations (with a little Anthony and Cleopatra mixed in for good measure) between any two of Cathy and Heathcliff, Laon and Cythna, (oh why not throw in a few of the Greek Pantheon as well - although they did more than just mess with each other's minds and really, who cared back then anyway) shot in very sexy black and white and accompanied by a stunning selection from Vivaldi and Bach. Not long on ambiguity, plenty of nods to Freudian concocteauns, marvelous narration [...]

    4. Steve on said:

      Cette espèce de confort n'influençait guère les enfants, car ils avaient le leur et il n'était pas de ce monde.(This kind of comfort hardly influenced the children, because they had their own and it wasn't of this world.)Not of this world, truly. Paul and Elisabeth, brother and sister, 14 and 16 years old at the beginning of the story, are an inseparable binary system with a satellite, Gérard, 14, caught fatefully in their gravitational well. Through a series of credible circumstances, Paul [...]

    5. [P] on said:

      I thought the cliché that adults don’t understand children was untrue until I spent a year or two teaching. Having no young relatives, it was the first time I had been around them since my own childhood, and, more importantly, it was the first time I had frequent discussions about them with other adults. And I was astonished by how naïve the adults, in particular the parents, were, how totally, how greedily, they swallowed and regurgitated the idea that these kids were innocence personified, [...]

    6. Cody on said:

      Trump Reviews The ClassicsHow about this Jean Cocteau, am I right? What a talent. Fantastic with the movies, the bookse drawing and coloring. Incredible. What an American! I said to Jean the other day at Mar Lago, I said, "Jean, you're a real mensch, even if you have a broad's name!" We both got a kick out of that, me saying the Jew word. Can you imagine? Anyone seen my numbers with the Jews? Amazing. 99.73% of the Jewish voting people chose Trump. The Jews love me. You all know Ivanka? What am [...]

    7. Nicole~ on said:

      3.5 starsA Bizarre Story-In 'Les Enfants Terribles', Cocteau gives the reader a melodramatic view of adolescence, void of innocence and filled with darkness; a peculiar relationship between brother and sister of excessive indulgence, petulance, childish pettiness and selfishness. Paul and Elisabeth contrive and control their fantasy games in the 'Room' that cocoons them from the world, a place where they feel most alive - a comfort zone. Their individual existences are simultaneously symbiotic a [...]

    8. MJ Nicholls on said:

      First, Cocteau’s sumptuous, surreal little pearl of a novella, in peerless translation from Rosamond Lehmann. Next, Gilbert Adair’s affectionate rip-off The Holy Innocents (spot the pun). Next, Bernardo Bertalucci’s film The Dreamers, with a screenplay by Gilbert Adair. Next, Gilbert Adair turns his screenplay (or re-edits his original novel) into a novelisation of The Dreamers. Not a dud in the bunch. An Olympic relay of sultry, challenging art. What better?

    9. Emma on said:

      Cocteau's velvet words are so beautiful, reading 'les enfants terribles' felt like little kisses on my brain.  Gorgeous  sentence after gorgeous sentence took my breath away. The translation by Rosamond Lehmann is a work of art and cocteau's illustrations throughout the book a delight. The book is short at only 183 pages and i could have gobbled it up very quickly but.i took my time and (don't laugh) indulged in all things french and impressionist for the week (Debussy's syrinx even found it [...]

    10. Paquita Maria Sanchez on said:

      Reading this is sort of like floating up, up, up into the clouds of a beautiful, serene blue summer sky, then suddenly dropping dozens of stories and getting bashed into billions of bloody, mushy bits.

    11. knig on said:

      Bizarre Westermarck –defiant melodrama tuned in to the obsessive convolvulations ™ of a brother and sister who transverse a wide gamut of other relationships but ultimately end up each others best playdate.Orphaned through a stroke of magical surrealism, Elisabeth and Paul end up keeping house together as teens in 1920s Paris. Much like Pippi Longstocking lording it in Villa Vellikulla, Elisabeth and Paul, unencumbered by crass considerations such as money, schooling, or other boring quotidi [...]

    12. Lavinia on said:

      A sort of surrealist reading. A love and hate experience of two orphan siblings (Paul, Elisabeth) which includes games (The Game, actually - their game) and plays that replace the real life. These games and especially the plays require partners and, mostly, an audience (Gerard, Agathe). And when the audience becomes too involved and the risk of intrusion in their inner word is too obvious, they are masterfully (and mischievously) removed.

    13. Nate D on said:

      Curiously-bonded siblings, freshly orphaned, retreat into a cloistered Game-life of their own making, which barely touches the outside world, but which may incorporate new players. Totally weird, poeticized use of language. Totally weird relationships. But it works.The central obsession-immolation dynamic (these siblings are like an implicitly incestuous Wuthering Heights -- the center cannot hold and will take everyone else with it) is essentially obvious from the very start, but this is still [...]

    14. James on said:

      This is a fantastic, surreal and artistic book, incredibly erotically charged, which explores the other, darker side of love. It is a story about a brother and sister, Paul and Elisabeth – without a father and with an invalid mother – and the different romantic obsessions that they have. At first Paul is obsessed with another boy, Dargelos, who looks very feminine. Paul becomes very ill when Dargelos throws a snowball at him that has a rock inside it, and Elisabeth looks after him. She is fa [...]

    15. Vanessa on said:

      2.5 stars. I don't know. I have mixed feelings about this book I guess. Having the knowledge that the book was the basis for another book that was adapted into the movie The Dreamers (which I did enjoy) meant that I viewed the characters very much like the actors in these roles, and sometimes I found my unnecessary expectations affecting the way I perceived the characters and how the plot would develop.For the most part, there isn't much of a plot to this book. Two siblings, Elisabeth and Paul, [...]

    16. Kyle on said:

      Actual rating: 2.5Not impressed.The story of a severely tempestuous and co-dependent brother and sister, Elisabeth & Paul, orphaned following their mother’s death, slowly devolves into chaotic isolation, one in which drags down with them two others, Gerard & Agatha. As the four swirl around each other in the atmosphere of The Room— a space wherein they dwell; more-or-less, an unhinged realm where they enact The Game: a dysfunctional and totally mad, well, Game. I felt nothing for any [...]

    17. Marc on said:

      I finished this short novel/novella (second read-through) earlier tonight. I have much I could say about it, but I feel that if I go into an in-depth analysis of the relationships between the various characters -- Elizabeth (or Lise, the passive-aggressive sister), Paul (her "weak" brother, with whom she shares a "strong physical resemblance"), Gerard (their friend, who is enamored with Paul), Dargelos (with whom Paul is enamored, and who, though off-screen most of the time, is key to the way in [...]

    18. Tony on said:

      LES ENFANTS TERRIBLES. (1929; Eng. Trans. 1955). Jean Cocteau. **.This is the only work I have read by Cocteau, and might very well be my last. It is a short novel about the absurd lives of two children; a brother Paul, and his sister, Elisabeth. They live with their sick mother, who very early on dies and they are left alone. The two develop a weird relationship with each other that involves playing a ‘game’, never clearly defined, that mostly occurs within their ‘room’, that place in t [...]

    19. Feliks on said:

      It's a kind of book which is impossible to produce in the modern age; therefore the kind you have to search back decades to discover; the kind you hunt back through many tomes of French and British 'belles-lettres' expressly to find relief from today's incessant babble. This is one of those books like 'The Little Prince' or 'The Velveteen Rabbit' which rewards that craving; which provides respite from all our daily jargon, acronyms, and buzz. There's nothing like refreshing power of plain, direc [...]

    20. Kirsty on said:

      I purchased Jean Cocteau's Les Enfants Terribles for two reasons; firstly, it looked fantastic, and secondly, I thought that it would be an interesting inclusion for my Reading the World Project. The novel in its Vintage edition has been faultlessly and lovingly translated by Rosamond Lehmann, a Virago author whom I very much enjoy in her own right.Cocteau the man was a fascinating figure by all accounts, and is recognised as important in many fields; he was a poet, a novelist, an artist, a musi [...]

    21. Inderjit Sanghera on said:

      ‘Les Enfants Terribles’ is Cocteau’s dreamlike account between two siblings, Paul and Elisabeth, and their fractious relationship. The novel and prose are imbued with a dreamlike and surreal quality and whilst some might point to the incestuous undertones between Paul and Elisabeth, but I am not sure if the story is about “sex” but more about the extremes of adolescent emotions. None of the characters, whether it be Paul and Elisabeth or the periphery characters who populate their live [...]

    22. Reuben on said:

      This book has reaffirmed my faith in the sl(e)ight. The language in this translation, though I'm sure through Cocteau's talent also, is cold, brooding, but understated. Everything is plainly written but murkily obscured. The plot is simple to follow, but the motivations, the emotions, less so. At the end I am left with no answers, but completely satisfied. This is because Les Enfants Terribles is not concerned with explanations, it makes no claim to be, it is concerned with characters, with Game [...]

    23. Andrey on said:

      The book starts out as an innocent coming-of-age story but transforms itself into a macabre phantasmagoric thriller towards the end.Breathtakingly beautiful Cocteau's style illuminates the themes of teenage friendship and love, jealousy and cruelty, his imagination creating grotesque and twisted but eminently fascinating and haunting images.

    24. Dolly Delightly on said:

      Jean Cocteau’s Les Enfants Terribles is a book about “the mysteries of childhood” and one which could not have been written by a more appropriate contender as the phrase, in the singular, has frequently been used to describe Cocteau himself. Born on 5th July 1889 in Maisons-Laffitte, Yvelines, a small village a few miles outside Paris, into a wealthy and politically influential family, Cocteau left home at the age of 15. His father, a lawyer and an amateur painter, shot himself in his bed [...]

    25. RB on said:

      This is a 3.5, rounded down.So, the book. In "Les Enfants Terribles", Jean Cocteau spends the first thirty-or-so pages casting a spell over the reader, with lush, beautiful descriptions of the setting while setting up most of the lead players. There's not much plot, but a whole lot of atmosphere. I've read some comments where readers complain that these characters don't show much care for characters in their lives who die: welcome to opium addiction. The cold, distant, lacking-in-emotions feelin [...]

    26. Akemi G on said:

      Young adult novella, which is not marketed as YA because 1) it was written before such genre was established 2) because adults don't want kids to read books like this 3) although the central figures are 14 and 16 at the beginning of the story, this doesn't necessarily mean it's YA; it more than tolerates adults' reading. In fact, I wonder how many adults can tolerate this. It seems to me the French have a niche for this kind of books; think of Bonjour tristesse, The Ripening Seed, etc. P.S. I am [...]

    27. Emm on said:

      Before reading this book, I really just considered Cocteau to be a french novelty who made some enchanting films. What an understatement! Coctueau's exploration of myth is so sophisticated and really provocative. Most notably I enjoyed his treatment of Plato's androgyne myth with the titular couple--the incestuous brother and sister. He also manages to capture that other world of adolescence, which he places between the realms of dreams and the imaginary, where the boundaries of death and life a [...]

    28. Zei on said:

      "C'est la première fois qu'un roman envoie des enfants en enfer". Une phrase qui m'a subjuguée et menée à me saisir de ce livre de l'étagère de la bibliothèque et de le lire, tantôt d'une traite sans le lâcher pendant des heures, tantôt en boitant, à deux pages par heure.Cocteau est un auteur à part, en lisant son oeuvre on a la ferme impression de regarder une toile se mouvoir et évoluerle une peinture de Dali, tiens!Je le conseille vivement à tous ceux qui tombent dessus par le p [...]

    29. Belle on said:

      I literally cannot stand this type of book. The entire novel felt utterly pointless and vapid. The story revolves around a group of white, privileged, Parisian teenagers engaging in various mischiefs by torturing themselves and other people for fun. I could care less for the silly little "game" that they invented. However, I thought the first chapter was good and thrilling and It reminded me of the opening scene of Au Revoir Les Enfants by Louis Malle, but everything went downhill from there. Th [...]

    30. Roxana Dreptu on said:

      I'm going to go ahead and make the lame pun that this book was terrible (in the way that awesome can mean one thing or another, depending on the amount of English you know and on the century you were born in). I was expecting a little more of Jeux d'Enfants and fewer fever dreams. Everybody seems to be an orphan, and trying to count the love triangles is a bit like solving illusionist puzzles. The characters and story are surreal.

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